Nate Fitzbutler did a remix to Kanye West’s and Kendrick Lamar’s “No More Parties in LA” called “No More Parties in SD”. He said, "we made this track to try to bring some national buzz to our city that’s always been in the shadow of the LA music scene."

Niko Sitaras from the San Diego based dream rock band Paper Days says, "We just released our new EP 'Fun For Family & Friends'. Our release party is on Feb 19th being hosted at the Irenic (with The Bash Dogs & Splavender). 

Panic Is Perfect is an indie-pop group from San Fran and they are touring in support of their new album, Cellspace, which drops tomorrow on Strange Loop Records. They'll be playing at The Loft @ UCSD on Feb. 12!





Black Night, White Light - Christian Goths in San Diego
Jay Allen Sanford

"The Lord said..."Stretch your hand toward the sky so that darkness will spread...darkness that can be felt." Exodus 10:21

Old school "goth" can be traced back to the third and fourth centuries, when a Germanic tribe known as The Visigoths waged war against the Roman empire throughout Eastern and Southern Europe . They didn't wear eyeliner but they did collect skulls and gaudy silver jewelry. Later, an architectural style called "gothic" became popular, favoring wrought iron trim, gargoyle draped columns, cathedral spires and belfries suitable for bats. As far as ideology and fashion goes, 19th century poet Lord Byron and Frankenstein author Mary Shelley were most certainly goth, with their dark clothes, powdered white faces, poofy laced sleeves, depressive outlooks and morbid imaginations. Musically, goth culture coalesced with the minor-chord melancholy of 80s bands like Joy Division, The Cure, Fields of the Nephilim, Sisters Of Mercy and Siouxsie And The Banshees.

Back then, the darkly dressed in San Diego congregated at now defunct venues such as The Skeleton Club, the original downtown Soma and clubs like Stratus and SubNation. In the late 90s, the place to be pale was Crocodile Rock, which regularly held goth-themed events like Soil, Savage Garden and Seventh Chamber. Trenchcoats and jewelry in the form of a religious cross were common, but one older gentleman haunting the scene wore both in a somewhat more official capacity - Christian Pastor Dave Hart, who was there not to dance but to find what he calls "disenfranchised youth" in need of counsel and guidance.

"I became one of those 'born-agains' back in 1970, during the Jesus People
days" says Hart, or Pastor Dave, as he likes to be referred. "I had a hard time settling on a church or denomination, because like most hippies in those days, I was distrustful of organizations and institutions and I suppose I retain some of that attitude to this day." He says he originally had no intention of going to seminary school, considering organized religion "just another institution that ultimately would crush my faith. But eventually I became convinced that I was 'called' to be a minister of some kind, and found myself at Talbot - the graduate seminary connected to BIOLA College in Orange Country. After I graduated [with a Master's Degree in Christian Education], I tried my hand at youth work, but found myself unable to steer successfully through the politics of the church system, and kept getting fired."

After a stint in the Navy, as a drug and alcohol counselor, he noticed young people increasingly warming up to the word of God, at least when those words were dressed in rock and roll clothes. This led to him promoting local mid-eighties concerts by Christian heavy metal bands, such as Stryper and others. He recalls one show at the Fox Theater featuring Christian punk rockers Undercover. "The Dead Kennedys had been in that theater two weeks before and the fans had torn the place apart. The vice squad was on the alert for any punk bands and shut us down while they [the band] were trying to load in - just on general principle. They 'discovered' that we were missing a permit. This was at 4:45 pm and the permit office shut down at 5pm so there was no time to go get the permit - convenient, huh?" He says he'd secured all the same approvals utilized at previous events with no problems. "Refunding the money back to twelve different Christian bookstores all over the county was a real headache."

In the course of promoting shows, Pastor Dave says many of the young people he met yearned for spiritual guidance, while disdaining most forms of organized religion. "These kids already tend to view the traditional church with disgust and distrust. Feeling they have been misjudged, misunderstood, and/or manipulated by the church, they have rejected Christianity as hypocritical, cruel and irrelevant." This inspired him to launch a rock and roll driven youth ministry. "I had a meeting with a young Christian metal-head named Steve Gray, who was DJing a metal show on Palomar College radio. Soon we had a regular group meeting in my apartment on Monday nights, which we called The Rock and Roll Refuge. We did this for about two years with about 30-35 kids crammed into my tiny living room."

When Hart heard about a similarly named group operating in Redondo Beach near L.A. , he sensed a perfect match for his own San Diego ministry. Founded in the mid-80s, Pastor Bob Beeman's "Sanctuary: The Rock And Roll Refuge" attracted hundreds of people to its Sunday services, as well as promoting events featuring the big name Christian rockers of the day - Barren Cross, Deliverance, Precious Death and others. "Both ministries were birthed out of our relationship to Stryper. The only difference was that what I had been doing for three months, he'd been doing for two or three years.I was eventually ordained through Pastor's Bob's Sanctuary, and I became the infamous Pastor Dave."

From the start, he was particularly interested in goth kids. He saw in them a fondness for the iconography and rituals endemic to church tradition (crosses, candles, incantations, etc.), as well as great intellectual capacity, emotional depth and spiritual yearning. "[Goths] are into art, poetry, and music. They are passive, introspective, and can be dramatically emotional. They can also be too self-absorbed, brood to a fault, and they internalize everything, even things that have nothing to do with them! As a group and as a rule, goths take their stress and pain out on themselves, not on others - cutters, piercers, slicers, suicide addicts - they will beat themselves up in their guilt and their sorrow to prove how real their pain is."

Instead of trying to bring teens into church, Pastor Dave takes his pulpit to wherever goths gather. "I try to go wherever there might be interesting sub-culture experiences.last summer I went to Comic-Con and the Tattoo Convention. I have been to a Wiccan Handfasting and occasionally get into a confrontation with a Satanist or two."

Those who seek Pastor Dave's advice aren't told that aligning themselves with the goth lifestyle is a mistake, but they are counseled on its negative aspects. "These kids romanticize death. They romanticize the blade, the blood that trickles down." He says he was once invited by a fifteen-year old goth girl to attend a ceremony where her friends cut themselves and drank each other's blood from a cup, believing the ritual to be a rite of passage into vampirism. Rather than shrink away in horror or scream "Blasphemy," the pastor clinically instructed them on health risks such as A.I.D.S. and Hepatitis. He says the girl ended up dedicating herself to Christianity. The Sanctuary website, , is promoted as "a fellowship of Christian misfits."

Though delivered in an unusual manner, in unorthodox places, the message preached by Pastor Dave is textbook - or "Good Book" - Christianity. He urges young people not to use drugs, to avoid promiscuity, not to cut themselves and to steer clear of other self-destructive habits. He reminds them that Jesus himself was a social outcast and political iconoclast whose best friends didn't understand him. He points out that vampirism is a poor man's translation of the salvation and personal power given to humanity via the blood of Jesus, and that Christ's crucifixion was the most intense body piercing session in recorded history. These commonalities make it possible, he says, to embrace both goth and Christianity, while remaining true to the ideals of both.

Liquid Grey is a local DJ who also promotes events and is a member of the online mailing list and discussion group Replying to a list of queries I posted to the group soliciting their opinions about Christian Goths, Grey says "That would be kinda like the Homosexual Nazis or something paradoxical...the whole idea behind the [gothic] culture is freedom of the mind and soul, not imprisonment of them. A place to exist without judgment and forced conformity." Asked whether it's possible to be a Christian goth, Grey says "I have met a couple people who have tried to have this point of view, but they were bigots and people have a way of contradicting themselves anyway.when I think of goth rock and the subculture around it, there is definitely a religious influence to it, in that it is averse to Christianity. However, in the current culture that exists locally, it is more of a complete separation from this or any religion."

Bynner Drake responded to my post to say "Reconciling 'Goth' and 'Christian' is like reconciling Hip-Hop and Islam...or Folk Guitar and Zoroastrianism. One is an aesthetic and one a spirituality. And few things have caused greater suffering on this Earth than the implication that the depth or validity of one's faith can be judged by the outward forms of its expression, or lack thereof. The very notion creates a culture of convert-by-the-sword conformism where people are persecuted for not being sufficiently conspicuous in their 'Rendering unto Caesar,' as it were. Dangerous ground for a free society."

Another sdgoth list member, Nick, AKA "DJ Aeon," said the gothic scene has nothing to do with religion. "I was raised Christian and realized that it was completely the wrong thing for me when I was about fourteen. I've been following a Wiccan path since I was sixteen. According to the Christian/ Catholic bible, I should be killed for that. 'Suffer not a witch to live'." He says Christianity still makes him uncomfortable. "Everyone I know is strong enough that they find their own path everyone in this scene is very tolerant of every spiritual path. No one really cares what you believe as long as it doesn't involve hurting anyone." These insights from sdgoth members were offered in defiance of dozens of message posts warning them not to speak with me, for fear I'd write something portraying goths as Satanic cultists seething with hate and malevolence and prone to violence against others.

It's easy to understand their paranoia, especially considering the reporting that followed the shooting spree at Columbine High School in Littleton Colorado . In the weeks following the shootings, Pastor Dave was interviewed by radio, TV and newspaper reporters convinced that the killing somehow stemmed from adherence to goth culture. "I tried to tell people that the gunmen were not gothic, and most of the true goths I know were bright, talented, young people who could never perpetrate something like this. But after all was said and done, it's a moot point. This tragedy has put the gothic sub-culture in the public eye in a way that not even a year of [Marilyn] Manson's 'Anti-Christ Superstar' tour could.all things dark and black will now be labeled gothic. Anyone singing sad songs in a black dress will automatically become gothic."

Sanctuary's cyber-minister "Wayno" Guerrini witnessed this damning misconception in action while watching a TV news report on KGTV Channel 10, focusing on local goth culture. Dismayed by the portrayal of goths as obsessed with evil and hate, he e-mailed Bill Griffith, the station's morning and midday news anchor. Griffith has been with KGTV since 1976, hosting the long-running daily show "Inside San Diego" as well as the station's "Charger Report" which, for ten years, followed ABC's "Monday Night Football" coverage. Wayno's initial letter and the subsequent volley of e-mail is posted at , samples of which include the following:

Cyber Minister Wayno: "Dear Bill, I work with Pastor Dave Hart, whom your station interviewed last night. That same interview re-ran on the 11am news, which you anchor, today. You made a statement today which is totally false: You said that most goths are into Adolph Hitler. You could not be farther from the truth! Most of these kids are into Philosphers like Nietzche (sp), not Hitler. Please, don't start a witch hunt where none is warranted. As Dave said last night, goths are into self-inflicted pain, not into inflicting pain on others."

Bill Griffith: "Thanks much for the e-mail. I respect your viewpoint - and Pastor Hart's - as coming from someone who works with 'goths,' but I plead with you not to excuse or underestimate the deeply disturbed nature of this movement. It takes only a cursory look through the internet under 'goth' to see the kind of Satanic, nihilistic, anti-Christian credo the 'goth' culture adheres to. Just because some goths don't follow every tenet doesn't mean we should ignore their world view."

Sanctuary's ministry stresses that the world view of Goth culture is anything but anti-Christian. The gothic lifestyle values the importance and value of individuality. Passivity and tolerance of others are treasured ideals, and vegetarianism, volunteerism and humanitarianism are common in practice. Goth kids have even cultivated an image of themselves as a "chosen people," special in the eyes of a contemporary, post-Millenium God.

This concept is encouraged and reinforced by Pastor Dave. "I believe that the Christian gothic/industrial community has been called for [in] such times as these," he preaches on the Sanctuary website. "Who else is more prepared to deal with dark days and painful times? You are a tribe of poet/priests and poet/warriors called to fight the darkness you know so well. Like Stryder and the Northern Rangers in 'The Lord of the Rings,' you will be used to fight the shadows of fear and terror in the dark forests and murky swamps which lie outside the boundaries of the land of the confident in your unique calling. You are a chosen tribe, a holy nation of priests."

"Be ready to die: to your old life, to your dreams, to your glory, to your sin-nature, to this world, to this body. Remember it's all going to burn. Remember that our suffering will not last forever."

    Lotushouse MP3 Sampler
    Maquiladora - The Revenge of Becky Royal (New Piano)
    Tenniscoats + Maquiladora - Hours
    High Mountain Tempel - Processional (An Invocation to Thee Angelic Sister)
    Raagnagrok - HJD
    Beggars - Will We Call It Love
    Maquiladora - Termez 1936
    Maquiladora - Song 26
    Buzz or Howl - Sendhe Mortu Chin Rigore
    Earthling Tempel - Celestial Inhabitants of the Sun
    Buzz or Howl - The Sins Of The Flower Are Visited On The Shunned
    Maquiladora - Light of the Rain
    High Mountain Tempel - The Ascended Master (Hang Gliding in Heaven)
    High Mountain Tempel - Fluctuat Nec Mergitur
    High Mountain Tempel - Tempel Walk
    Buzz or Howl - 05 Oct 05
    Buzz or Howl - Sun as the Destroyer of Dreams
    Live version at the Make Room SF 2005
    Maquiladora - In This Life
    Maquiladora - Simply to See You
    Maquiladora with Kawabata Makoto - Nampasen
    Maquiladora Maquiladora - Drunk and Lighting Fires (A Waltz)
    Maquiladora Maquiladora - Ritual of Hearts
    Maquiladora Maquiladora - Ankle
    Maquiladora - Mayday
    Loraine Loraine - Pasqually Old Pasqually

    Beggars - S/T
    by Pierro Scaruffi

    Maquiladora's Eric Nielsen and Bruce McKenzie joined forces with Skygreen Leopards' Glenn Donaldson to form Beggars, whose double-disc Beggars (Lotushouse, 2013) is a tour de force of ecstatic Eastern-influenced freak-folk. Mostly these pieces lean towards the traditional song format, although inevitably deformed by the musicians' pedigrees.

    The ghostly hyper-dilated drones of Ghost Coyote are imbued with quasi-Morricone western-movie guitar twang and even harmonica. The sweet lullaby and the trotting pace of Eureka My Love as well as the romantic honky-tonking Justine (with a refrain a bit reminiscent of Dylan's Blowing in the Wind) hark back to the heydays of country-rock. 2-3-74 Floating evokes the martial laments of the young Neil Young although diluted amid discordant guitar jamming and lulled by waves of funereal vocal harmonies. Berserker's Boogie is a lively and poppy almost-bluegrass tune. They even intone the singalong Queen Anne's Lace with drums, banjo and all.

    Thankfully, the spaced-out yodeling of Lullaby de Bourbon (memories of Aoxomoxoa-era Grateful Dead), the free-form quasi-jazz guitar and vocal interplay of Will We Call It Love, the seven-minute dreaming psalm Big Pink Sun and its sublimely disintegrating coda, remind us of what Maquiladora are best at. The 23-minute Midget Decapitates Clownis an ambitious concerto for suspense and agony. Far from being just a droning piece, it piles up sonic event after sonic event, producing the trancey effect out of a multitude of traumatic sounds. The chirping and tweeting that accumulates half-way into the piece decays into a nervous organic filigree and dies away in the most cryptic manner; one of the high points of Maquiladora's career.

    Earthling Tempel - Pilgrimage To Thunderbolt Pagoda
    by Aquarius Records

    Not sure if this is part 4, or just the first in a new multi part epic, hardly matters, what does matter is, this is another glorious expansive collection of meditative psychedelic abstract dronefolk ambience. Every High Mountain Tempel disc we're reviewed thus far has gotten played to death here, and this one doesn't appear to be any different. Well, at least in that respect. In one distinct way it is very different, HMT are not going it alone this time. They've assembled a pretty impressive collection of sonic alchemists and musical conjurers to help with this ritual, Isis Aquarian from the Source Family, Charles Curtis from La Monte Young's Just Alap Raga Ensemble, and two crews from the UK we've never heard of, Earthling Society and Astarism, but even with all those cooks in the kitchen, HMT and friends have managed to weave another dark minimal masterpiece, all hushed barely there guitar shimmer, drifting whispered vocals, delicate crystalline melodies, dense swirls of piano, warm swells of tape hiss, mysterious voices and field recordings, whirring organ, bowed steel strings... so lovely.

    If the liner notes are to be believed, two of the tracks feature Earthling Society on their own, and those tracks do sound different, much less free and sprawling, a bit more structured, like seventies UK acid folk, swirling and melodic and quite lovely. The final two tracks find the two groups in full on collaborative mode, and the gears shift to something much more space rocky and Hawkwindy, all blissed out and heart-of-the-sun, until the final track which is a strummy, delicate, moody chill out closer, a sort of dour doom folk drift, that makes a perfect ending.

    Super nice packaging, silkscreened oversized 4 panel sleeve, white on black, with the cd-r affixed to the inside. And of course, SUPER LIMITED!

    High Mountain Tempel - The Glass Bead Game by Aquarius Records

    Part three in the ongoing series of limited cd-r explorations from mysterious drone combo High Mountain Tempel, and like the two before it, the band continue to delve into some murky sonic underworld, again presenting loooong songs, each separated by brief sonic interludes, this disc seems feature more actual vocals, the opening track features a processed voice, that sounds a bit like throat singing, or a Speak And Spell, intoning some arcane message, interwoven with long drawn out tones, and a thick ropy buzz, super dark and intense and atmospheric. Elsewhere sampled voices surface, there are bits of chanting here and there, all peppered throughout the disc. But even with the extra voices, the focus here is still on dark, lugubrious, extended dronescapes.

    The sound of High Mountain Tempel is probably closest to Expo '70, as their various permutations of dronemusic seem to have a definite krautrock vibe, that gives the sound a sort of spaced out quality, and a subtle propulsion, but unlike Expo '70, HMT seem to have a distinct Eastern influence, much of the music is meditative and subtly dramatic, a bit soundtracky, and some of it sounds like it could be Japanese. Especially the way field recordings are incorporated into the sounds. Giving everything a definite texture, some of it sounding like it was perhaps recorded live in some hilltop temple. Which we would imagine is the idea.

    Not sure what else to say actually. This is indeed fantastic, brooding and malefic, but also shimmery and dreamy, sonically it has much in common with the first two installments, so definitely check out those reviews to read more about their 'sound'.

    Needless to say, fans of the drone and folks into the current crop of cd-r soundscapers will for sure dig this, but like the other HMT discs, this is more than simple drone music, this is ritualistic alchemical soundwork, one can almost imagine stumbling across a group of cloaked figures huddled around a fire in a forest clearing, tossing various powders into the flames, causing the fire to change color and cast beastlike shadows on the branches above, and this is the sound filtering through the forest like a black moonlit fog...
    SUPER LIMITED of course, packaged beautifully in a foldover silkscreened sleeve, gold metallic on red on the outside, black on red on the inside.

    High Mountain Tempel - A Screaming Comes Across The Sky - The Faultline Scriptures
    by Aquarius Records

    Record number two from this mysterious drone-kraut styled duo. Their last disc was a huge hit around here, so we were pretty thrilled to get our hands on this one, a logical sonic extension of the first, delving deeper into some murky tripped out twilit soundworld.
    The disc opens with shimmering clouds of gongs and cymbals, whirring and sizzling, suspended over a deep distant rumble, a delicate intro to a record at once hypnotic and lovely, dark and dense.

    The record is arranged into three epic tracks, interspersed with short sonic interludes, ranging from field recordings of crickets, looped chants (Elizabeth Clare Prophet if we're not mistaken), spirituals and mysterious liturgical songs, whirring drones, and backwards percussion, but it's the long tracks where the duo get to spread out, let their dense soundscapes sprawl.

    The three long tracks sounds like movements of a greater whole, clocking in at 15 minutes, 11 minutes and nearly 17 minutes respectively, each rife with creepy delayed vocals, churning guitars and smeared chords, roiling muddy whirls, which often dissipate leaving streaks of fragmented melody and haunting slowed down voices. Buried amidst the drones and whirs, are lullaby-like melodies, skittery percussion, streaks of grinding distortion, hidden voices, more field recordings, thick swaths of cavernous rumbles, little bits of electronic glitch and lots and lots of low end buzz.

    Packaged in a fancy navy blue fold over sleeve, screenprinted in white ink, with a photocopied insert with liner notes and song credits.

    LIMITED TO 150 COPIES! Each one hand numbered.


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