Features Archive
A Morning Reflection
Action Jackson
Akil Drops Out of K23 Show
alt.Pictureshows
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Kenneth Anger
Are You Decent - Fiction
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Asterism
Atheist In Your Foxhole - Fiction
Backstage This Week
Michael Bannister song and notes from Peter Case's blog
Bastard Sons of Johnny Cash
Batsheva Dance Company at Mandeville Auditorium
Beggars Sessions
Best of the Decade 2000 - 2010 Lists
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Brook Barlett and Peer Hansen’s List
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Keith Boyd
Eric Nielsen
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Best Releases of 2007
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Black Rider Feature
Black's Beach
Blek le Rat's North American Debut Art Opening
Blizzard
Keith Boyd - California Artist
Bill Buford - Heat
Black Night White Light - Christian Goths in San Diego
Browsing The Boards
Buffy's Swan Song at Ken Theater
Buzz or Howl, Ruu and Thousands - Live at Echo Curio Saturday Night in Echo Park
Buzz or Howl Loud in Japan
California Fragments - Photos by Keith Boyd
A Little Town South of LA: 80’s Underground in San Diego - The Che
Captain Beefheart
Five Questions With Ben Chasny
Interview with Al Cisneros from Om
Citizen Video Feature
Rare Collectible SD Vinyl
Comicon 2006 - Meeting Q
UCSD ArtPower - Compañia Nacional de Danza 2 - Without Words, Duende, and Gnawa - Dance by Duato
Concientious Objector
Dirty Projectors
Dirty Sweet
SD Dragon Boat Festival 2009
Duke Cunningham Can't Perform - Stop Military Industrial Corruption
Where Have All of the Deadheads Gone?
Earthling Tempel - Pilgrimage to Thunderbolt Pagoda
eSen at Scolari's on Monday
eSen Action Jackson Show At Scolari's
Erik Davis Interview
The Depths of 2006 - Bruce McKenzie
Council House Mystic: An Interview with Fred Laird of Earthling Society
Electric Jellyfish
Regarding Roky Erickson
Famous Former Neighbors - Jim Morrison
Famous Former Neighbors - Scott Weilend
Larry Fischer - You Make Them a Million They'll Toss You a Dime
Fuel TV's Swerve Festival
Gonzales Must Go
Guns Kill People
Guilty Pleasures 2007 - Keith Boyd
Guilty Pleasures - Eric Nielsen
The Day Hendrix Came to Town
Hi-Lites
High Mountain Tempel and Father Yod Blurt from the SD Reader
High Mountian Tempel News w Isis Aquarian
High Mountain Tempel - A Screaming Comes Across The Sky (The Faultline Scriptures)
High Mountain Tempel - A Screaming Comes Across The Sky (The Faultline Scriptures) - The Hive Mind Aspect
High Mountain Tempel - A Screaming Comes Across The Sky (The Faultline Scriptures) - As I Hear It
How Not To Interview A Celebrity
Why Not To Vote For Duncan Hunter
RIP Lux Interior
I, Necropheliac - The San Diego Arts Scene
If You Were A Little Girl in the 70's...
Indian Jewelry Interview
Strolling Bones - Mick Jagger is Still Cool
Notes from Troy Johnson: Why Fox Rox Was Cancelled
From Troy Johnson - He's Leaving CityBeat
Anselm Kiefer's Palmsonntag Panels Installation in Los Angeles
Marcel Khalifé
Kisstory
UCLA Internet Radio KLA
Lafayette War Protest Pics
This is What It Is - Daniel Lanois
Local Numbers for 2007
John Lennon A Life In The Day
Local Ebay Oddities
Loraine Out Take
Traci Lords - Bio

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    Lotus House Records MP3 Sampler
    High Mountain Tempel - Processional (An Invocation to Thee Angelic Sister)
    Raagnagrok - HJD
    Beggars - Will We Call It Love
    Maquiladora - Termez 1936
    Maquiladora - Song 26
    Buzz or Howl - Sendhe Mortu Chin Rigore
    Earthling Tempel - Celestial Inhabitants of the Sun
    Buzz or Howl - The Sins Of The Flower Are Visited On The Shunned
    Maquiladora - Light of the Rain
    High Mountain Tempel - The Ascended Master (Hang Gliding in Heaven)
    High Mountain Tempel - Fluctuat Nec Mergitur
    High Mountain Tempel - Tempel Walk
    Buzz or Howl - 05 Oct 05
    Buzz or Howl - Sun as the Destroyer of Dreams
    Live version at the Make Room SF 2005
    Maquiladora - In This Life
    Maquiladora - Simply to See You
    Maquiladora with Kawabata Makoto - Nampasen
    Maquiladora Maquiladora - Drunk and Lighting Fires (A Waltz)
    Maquiladora Maquiladora - Ritual of Hearts
    Maquiladora Maquiladora - Ankle
    Maquiladora - Mayday
    Loraine Loraine - Pasqually Old Pasqually

    Beggars - S/T
    by Pierro Scaruffi

    Maquiladora's Eric Nielsen and Bruce McKenzie joined forces with Skygreen Leopards' Glenn Donaldson to form Beggars, whose double-disc Beggars (Lotushouse, 2013) is a tour de force of ecstatic Eastern-influenced freak-folk. Mostly these pieces lean towards the traditional song format, although inevitably deformed by the musicians' pedigrees.

    The ghostly hyper-dilated drones of Ghost Coyote are imbued with quasi-Morricone western-movie guitar twang and even harmonica. The sweet lullaby and the trotting pace of Eureka My Love as well as the romantic honky-tonking Justine (with a refrain a bit reminiscent of Dylan's Blowing in the Wind) hark back to the heydays of country-rock. 2-3-74 Floating evokes the martial laments of the young Neil Young although diluted amid discordant guitar jamming and lulled by waves of funereal vocal harmonies. Berserker's Boogie is a lively and poppy almost-bluegrass tune. They even intone the singalong Queen Anne's Lace with drums, banjo and all.

    Thankfully, the spaced-out yodeling of Lullaby de Bourbon (memories of Aoxomoxoa-era Grateful Dead), the free-form quasi-jazz guitar and vocal interplay of Will We Call It Love, the seven-minute dreaming psalm Big Pink Sun and its sublimely disintegrating coda, remind us of what Maquiladora are best at. The 23-minute Midget Decapitates Clownis an ambitious concerto for suspense and agony. Far from being just a droning piece, it piles up sonic event after sonic event, producing the trancey effect out of a multitude of traumatic sounds. The chirping and tweeting that accumulates half-way into the piece decays into a nervous organic filigree and dies away in the most cryptic manner; one of the high points of Maquiladora's career.


    Beggars - S/T
    by Naysayer at KFJC

    Released from Lotus House Records, this is psych country/psych folk territory. Heavy on acoustic guitar with background mandolin, organ and lots of harmonies, these songs are about lost relationships, missed chances and old secrets. They sound like they should be sung around the fire pit outside an old shack in Topanga Canyon. Dusty, weedy, afternoon sunlight that blurs the vision. Turn it on, kick back and look directly into the sun. Track 5 of CD B is a 22 minute deep listening style excursion.

    Earthling Tempel - Pilgrimage To Thunderbolt Pagoda
    by Aquarius Records

    Not sure if this is part 4, or just the first in a new multi part epic, hardly matters, what does matter is, this is another glorious expansive collection of meditative psychedelic abstract dronefolk ambience. Every High Mountain Tempel disc we're reviewed thus far has gotten played to death here, and this one doesn't appear to be any different. Well, at least in that respect. In one distinct way it is very different, HMT are not going it alone this time. They've assembled a pretty impressive collection of sonic alchemists and musical conjurers to help with this ritual, Isis Aquarian from the Source Family, Charles Curtis from La Monte Young's Just Alap Raga Ensemble, and two crews from the UK we've never heard of, Earthling Society and Astarism, but even with all those cooks in the kitchen, HMT and friends have managed to weave another dark minimal masterpiece, all hushed barely there guitar shimmer, drifting whispered vocals, delicate crystalline melodies, dense swirls of piano, warm swells of tape hiss, mysterious voices and field recordings, whirring organ, bowed steel strings... so lovely.

    If the liner notes are to be believed, two of the tracks feature Earthling Society on their own, and those tracks do sound different, much less free and sprawling, a bit more structured, like seventies UK acid folk, swirling and melodic and quite lovely. The final two tracks find the two groups in full on collaborative mode, and the gears shift to something much more space rocky and Hawkwindy, all blissed out and heart-of-the-sun, until the final track which is a strummy, delicate, moody chill out closer, a sort of dour doom folk drift, that makes a perfect ending.

    Super nice packaging, silkscreened oversized 4 panel sleeve, white on black, with the cd-r affixed to the inside. And of course, SUPER LIMITED!

    High Mountain Tempel - The Glass Bead Game by Aquarius Records

    Part three in the ongoing series of limited cd-r explorations from mysterious drone combo High Mountain Tempel, and like the two before it, the band continue to delve into some murky sonic underworld, again presenting loooong songs, each separated by brief sonic interludes, this disc seems feature more actual vocals, the opening track features a processed voice, that sounds a bit like throat singing, or a Speak And Spell, intoning some arcane message, interwoven with long drawn out tones, and a thick ropy buzz, super dark and intense and atmospheric. Elsewhere sampled voices surface, there are bits of chanting here and there, all peppered throughout the disc. But even with the extra voices, the focus here is still on dark, lugubrious, extended dronescapes.

    The sound of High Mountain Tempel is probably closest to Expo '70, as their various permutations of dronemusic seem to have a definite krautrock vibe, that gives the sound a sort of spaced out quality, and a subtle propulsion, but unlike Expo '70, HMT seem to have a distinct Eastern influence, much of the music is meditative and subtly dramatic, a bit soundtracky, and some of it sounds like it could be Japanese. Especially the way field recordings are incorporated into the sounds. Giving everything a definite texture, some of it sounding like it was perhaps recorded live in some hilltop temple. Which we would imagine is the idea.

    Not sure what else to say actually. This is indeed fantastic, brooding and malefic, but also shimmery and dreamy, sonically it has much in common with the first two installments, so definitely check out those reviews to read more about their 'sound'.

    Needless to say, fans of the drone and folks into the current crop of cd-r soundscapers will for sure dig this, but like the other HMT discs, this is more than simple drone music, this is ritualistic alchemical soundwork, one can almost imagine stumbling across a group of cloaked figures huddled around a fire in a forest clearing, tossing various powders into the flames, causing the fire to change color and cast beastlike shadows on the branches above, and this is the sound filtering through the forest like a black moonlit fog...
    SUPER LIMITED of course, packaged beautifully in a foldover silkscreened sleeve, gold metallic on red on the outside, black on red on the inside.

    High Mountain Tempel - A Screaming Comes Across The Sky - The Faultline Scriptures
    by Aquarius Records

    Record number two from this mysterious drone-kraut styled duo. Their last disc was a huge hit around here, so we were pretty thrilled to get our hands on this one, a logical sonic extension of the first, delving deeper into some murky tripped out twilit soundworld.
    The disc opens with shimmering clouds of gongs and cymbals, whirring and sizzling, suspended over a deep distant rumble, a delicate intro to a record at once hypnotic and lovely, dark and dense.

    The record is arranged into three epic tracks, interspersed with short sonic interludes, ranging from field recordings of crickets, looped chants (Elizabeth Clare Prophet if we're not mistaken), spirituals and mysterious liturgical songs, whirring drones, and backwards percussion, but it's the long tracks where the duo get to spread out, let their dense soundscapes sprawl.

    The three long tracks sounds like movements of a greater whole, clocking in at 15 minutes, 11 minutes and nearly 17 minutes respectively, each rife with creepy delayed vocals, churning guitars and smeared chords, roiling muddy whirls, which often dissipate leaving streaks of fragmented melody and haunting slowed down voices. Buried amidst the drones and whirs, are lullaby-like melodies, skittery percussion, streaks of grinding distortion, hidden voices, more field recordings, thick swaths of cavernous rumbles, little bits of electronic glitch and lots and lots of low end buzz.

    Packaged in a fancy navy blue fold over sleeve, screenprinted in white ink, with a photocopied insert with liner notes and song credits.

    LIMITED TO 150 COPIES! Each one hand numbered.

 

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