From Sam....
Gawd!! I hope the walls don’t cave in on us THIS SUNDAY, Strangers!!
Sunday, May 13 will be the loudest Stay Strange yet!! Frank Melendez and Riververb! Also on the bill is the equally loud Actuary from Los Angeles. Plus a rare performance by artist Gerritt Wittmer.
SUNDAY, MAY 13-
RIVERVERB/ACTUARY/GERRITT WITTMER
THE KAVA GALLERY - 2804 KETTNER BLVD - 7PM - $5.00 - ALL AGES SHOW!
Riververb is always in a constant change, and I hear that the latest incarnation is the best so far! Judge for yourself! it’s some heavy stuff! Face morphing grinder sludge. Last time Riververb played, no slayed, the smoke turned black from monolithic chunks of acid-noise.
Actuary shake the shit loose! Los Angeles breeds some sick stuff and this by no means drops the ball. Not only are this tunes in your face, it’s in your skull too! Mean ass nitro venom. Gory!!
Gerritt Wittmer is an artist in the darkest sense possible. I’m not sure what he’ll be doing at this month’s Stay Strange, but if it’s anything like his performance at LUFF, it’s going to be scary!!!

Fund Education - Stop Layoffs of SDUSD Teachers!


He-Art Loveman in California








Black Mountain Track
Loveman He-Art in Cleveland







 

 

 

 

 

Peckinpah - Smoking Peace With a Burning Crow 2007 - Lotushouse Records CD10
Bruce McKenzie is a multi- instrumentalist, singer and songwriter with Maquiladora (sweet, tweaked, acid folk) and with Buzz or Howl (free-form psychedelic acid noise blitz).  His solo efforts as Peckinpah fall somewhere outside and between his two bands.  Restricting himself to two instruments, harmonium and various forms of the slide guitar, McKenzie has crafted a deeply meditative suite of 4 improvisations, haunted by droning reeds and hovering, flickering, natural overtones that become the focus of the musical experience.  McKenzie has strong ties to the Japanese psych underground.  As a member of his two groups he has shared a stage, recorded, or toured with Acid Mothers Temple, Miminokoto, Maher Shalal Hash Baz, LSD March, and members of High Rise and White Heaven.  This ambient americana drone folk bliss-out music lies somewhere between or among Boxhead Ensemble, Womblife-era Fahey, Pauline Oliveros, Jim O'Rourke's Happy Days, and Pat Conte's Ethnic Museum series.  Made for ghosts by ghosts.
http://www.lotushouserecords.com


 

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