From Sam....
Gawd!! I hope the walls don’t cave in on us THIS SUNDAY, Strangers!!
Sunday, May 13 will be the loudest Stay Strange yet!! Frank Melendez and Riververb! Also on the bill is the equally loud Actuary from Los Angeles. Plus a rare performance by artist Gerritt Wittmer.
SUNDAY, MAY 13-
RIVERVERB/ACTUARY/GERRITT WITTMER
THE KAVA GALLERY - 2804 KETTNER BLVD - 7PM - $5.00 - ALL AGES SHOW!
Riververb is always in a constant change, and I hear that the latest incarnation is the best so far! Judge for yourself! it’s some heavy stuff! Face morphing grinder sludge. Last time Riververb played, no slayed, the smoke turned black from monolithic chunks of acid-noise.
Actuary shake the shit loose! Los Angeles breeds some sick stuff and this by no means drops the ball. Not only are this tunes in your face, it’s in your skull too! Mean ass nitro venom. Gory!!
Gerritt Wittmer is an artist in the darkest sense possible. I’m not sure what he’ll be doing at this month’s Stay Strange, but if it’s anything like his performance at LUFF, it’s going to be scary!!!

Fund Education - Stop Layoffs of SDUSD Teachers!


He-Art Loveman in California








Black Mountain Track
Loveman He-Art in Cleveland







 

 

 

 

Thriving Ivory
09.16.06 by Monya De
I'll admit I'm a big fan of the group Thriving Ivory, so I was delighted when they finally released an official debut album, the culmination of years that produced two EPs that were worn out by fans all over California and new songs previously only heard live. The band's sound is big arena-rock reminiscent of U2 and Coldplay, and Live 105 radio in San Francisco has already taken the band under its wing with generous airplay of the sing-along anthem "Angels on the Moon".

But my excitement soon dissipated. True, the new songs sounded fantastic, including "Angels" and "Hey Lady", which sounds like a romantic serenade just for the listener (most of Thriving Ivory's are female). But the production some of the tracks previously distributed on the EPs was a striking disappointment. "Runaway," "Light Up Mississippi," and other songs were what drew fans in in the first place, with unusually deft layering of sound, heartfelt singing from Clayton Stroope, and lush, lovely piano arrangements that set the band apart from the 50,000 alterna-rock boy bands operating today. On the album, which is self-titled, producer Chris Manning dumbs down those lovely songs, cutting the keyboard interludes and stripping all that instrumental complexity down to a strident, uninspired march to the end of the requisite three and a half minutes. I can't imagine that keyboardist Scott Jason, the soul of the group, wasn't frustrated at playing static chords when previously there was more. Stroope did not escape this either; he has re-recorded the vocals on some songs and sounds even shrill at some points. At other moments, his voice is drowned in the rhythm section. "Unhappy" largely succeeds, but Stroope still sounds like he's trying to fight his way to the front. He is an enormously gifted singer, with a tenor range some women can't even match, and to not hear him properly is suboptimal.

It's not that it's not an enjoyable album. I would still rate it as a "buy" for the uninitiated. TI will likely become big in the near future, and now's your chance to catch their terrific live show at venues around California . But do yourself a favor, and download the original versions of "Runaway," "Light Up Mississippi," "Secret Life," "Long Hallway with a Broken Light," and "Day of Rain."
http://www.thrivingivory.com/

 


 

© www.blogsandiego.com | Live Reviews | CD Reviews | Music Features | Forum | Submit/Ads | Contact |