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Maquiladora - St. Cecilia's Drowning: White Sands and Ritual of Hearts Revisited new release date of 9.8.8 on Acuarela Discos (Spain). Available at Darla Records in the US

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BSD Music Vaults
CD Reviews (167)
Features (146)

Live Music Reviews (79)

Prop. 8 - We Support Gay Marriage - Boycott Manchester Grand Hyatt and Grand Del Mar
The UT reports that gay rights groups and their union allies are targeting the Manchester Grand Hyatt and the Grand Del Mar because the hotels' owner, Doug Manchester, gave $125,000 to Proposition 8, a November ballot measure that would ban same-sex marriage in California.

It's the economy stupid

We Support Aguirre
The Union Trib.
reported that a sexual harassment lawsuit filed by a former city employee against San Diego City Attorney Michael Aguirre has been dropped. Lepine agreed to drop the lawsuit and will receive no money from the city. A settlement agreement between Lepine and city states that each side will pay for their own legal fees and the city is prohibited from suing Lepine for malicious prosecution

The Union Trib. reported that the San Diego County Democratic Central Committee endorsed City Attorney Mike Aguirre for re-election Tuesday night.

Lame Democrats still giving in to a lame duck president.



Contributors
Eric Nielsen Co-Editor tempel monk (admin at blogsandiego.com)
Keith Boyd Co-Editor Tempel Monk (camelship at hotmail.com)
Krista Nielsen Co-Editor Design (admin at blogsandiego.com)

Barnaby Monk Resident Scriptures
Jay Allen Sanford Historical Curator
Bruce McKenzie
Cat Dirt
Phil Beaumont
Bloom
Greaser
Marc Gentry
Chris Dier Labor Brother
N. Fitzpatrick


Anxiety Treatment


Buy DMB tickets, Cheap Trick tickets, Clapton tickets, Kenny Chesney tickets, and Jonas Bros tickets 

SD Shows
8.6.8 - Titan and Earthless at the Casbah - Highly Recommended
8.7.8 - Tara Jane O'Neil (with Bruce McKenzie), Katy Davidson, Bob Brunno at the Smell, Technique at the Belly Up
8.8.8 - Muck and The Mires, Nightmares at Bar Pink
8.14.8 - Warped Tour 08
8.15.8 - Fantastic Magic, Xiu Xiu & Carla Bozulich at the Casbah - Highly Recommended!
8.16.8 - Ilya at the Casbah
8.22.8 - Dave Mathews at Coors
8.23.8 - So Co Music Fest w the Black Keys
9.6.8 - Witch, Earthless and Assemble Head in Sunburst Sound at the Casbah (Mario on drums for Witch in place of J Mascis) Highly Recomended Slightly Stoopid & The Expendables at the SDSU OAT
9.7.8 - Willie Nelson at Harrah's s
9.21.8 - Al Green at Harrah's
9.23.8 - Silver Jews at the Casbah
9.24.8 - Okkervil River, Sea Wolf at the Belly Up
9.25.8 - My Morning Jacket at SDSU OAT
10.2.8 - Mars Volta at SDSU OAT
10.23.8 - Presidents of the United States of America at the Belly Up
10.24.8 - Stereolab at the Belly Up

Venue Calendars
4th and B
Beauty Bar
Belly Up
Brick by Brick
Canes
Casbah
Che Cafe
Clare de Lune
The Epicentre
House of Blues SD
Humphreys
Kava Lounge
O'Connells
Open Air Theater SDSU
Soma
Squid Joes
The Smell - LA
TimbreSpace - LA Echo Park
U31
Viejas - Alpine
Voltaire
Voz Alta
Whistle Stop
Winston's
Zombie Lounge

From the BSD Forum

only area appearance!
MUCK AND THE MIRES w/The Nightmares
Bar Pink Elephant
Friday 08/08/083829 30th Street San Diego, California 10PM, 21+, Free.

Muck and the Mires from Boston were named the#1 garage rock band in the USA by Little Steven Van Zandt.
Muck and the Mires new record was produced by Rock legend Kim Fowley. Their sound has been described as a cross between the '64 Beatles and the '77 Ramones.

MUCK AND THE MIRES
http://www.muckandthemires.com
http://www.myspace.com/muckandthemires

Coming Soon:

High Mountain Tempel - The Glass Bead Game, sees the streets in Aug

Buzz or Howl + Astro - Western Mystery School in Sept

Sen's Twitters

     

     

     

     

     

     

     

     



     

    Vigil "China Soul" 06.01.06 (Siesta) Keith Boyd
    One of the many great things about this wired and interconnected world we stumble around in is having access to art and music from other countries. Once upon a time say, in any decade before the nineties, your average American music fan would have been hard-pressed to find almost anything that wasn't a. being played on the radio and b. made in one the "big two" music countries (U.S. & U.K.). Sure there were a few specialty shops and a handful of mail-order houses but unless one was in the know you were pretty much out of luck. The recordings that one could find were presented to the public as either audio anthropology or kitschy exotica. This isn't to cast dispersions. On the contrary, an album series like Smithsonian's "Folkways Recordings" helped preserve sound treasures from Bali to the Mississippi Delta that informed and inspired generations. These types of records are however, doomed to be confined to the realm of folklore. They are often representations of a particular tradition from a particular tribe or ethnic group. Consequently they convey a sense of anonymity in regards to the artist and artistry. Don't get me wrong, this isn't necessarily a bad thing. The everyday and embedded music of the world is one of the things that give life meaning. People singing work songs, drumming to accompany marriages and funerals, fiddle playing from the pub, all of it, all of it is vital. Our age however is another matter. We mix and match styles and sounds the way another era's musicians switched chords and tempos. You've got hybrids like the punk/gypsy/ska/folk of Gogol Bordello and the psychedelic/freak-out/drone/troubadourisms of Acid Mother's Temple . It turns out that location actually isn't everything. One way or another music finds its' way to the right listener. In this case the right music found the right listener in Pedro Vigil . Vigil's new CD "China Soul" (Siesta Records) is a charmer. From the first note you are transplanted to a clean and refreshing audio heaven that while referencing various musical styles from around the globe, manages to sound original and unique.

    Vigil is primarily the work of Pedro Vigil from Spain and is realized through a huge amount of collaborations with various drummers, organ players, string ensembles, horn sections and pianists. The music is probably best described as a breezy blend of exotic jazz and space-age pop. At times you hear strains of Esquivel or Les Baxter. The title track, "China Soul" has an antiquey march rhythm which is overrun by dreamy washes of stings and cut through by a reverb soaked surf guitar. It's like you've snuck into a private cocktail party for Chairman Mao's inner circle. Someone hands you a martini, you take a sip and realizing it's been spiked, sit back into a velvet armchair to watch a 3-D version of "Endless Summer" play on the ceiling. Other tracks find inspiration from the rhythms and tones of Bossa Nova. " Los Gatos High School " chugs and glides with the punchy grace of Jobim or Burt Bacharach. You listen to it the way you sip a cool drink at the beach under a palapa. All of this artistry comes across as so effortless and smooth that you are left stunned and smiling. Another highlight is the track "Akira Kurasawa". Not only is it named for one of the truly great filmmakers of all time, its orchestration, jewelry box tinklings and Star Trek-like Theremin whirl and spin a magical sound. "China Soul" is a pleasure from start to finish. It pays homage to the vintage and retro without sounding dated. The skill of the players and the quality of the compositions make this product of our wired up, multi-culti world a gem. It's a blessing for us to live in an era with access not only to the traditions, but the artistry of music from other countries.

     


     

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